A Festive Thread 2024

Started by Jubal, December 25, 2024, 06:13:59 PM

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The Seamstress

Yeah that's pretty much how it works. My own training included CAD stuff (which I've entirely forgotten by now) to efficiently arrange pattern pieces on a length of fabric industrial style, and we also had to try bandsaw cutting once (kinda fun). It's a different story when you have a pattern drafted for a particular person in bespoke dressmaking, of course.

Older books are indeed quite useful (and interesting to study). There are a lot of pattern drafting systems floating around; I don't know about other parts of the world but Müller & Sohn is pretty much the standard here so that's what I was trained in. Of course it's not perfect (no pattern drafting system is, I think) but works fairly well. For historical garments though I'd stick to the original written sources and/or extant examples.

Yup bias cut can be nasty. It always astonishes me how much the fabric stretches when I put a skirt on the dress form before levelling the hem! Joining straight cut pieces to bias cut ones is indeed a clever way to reduce that, I've seen it in Victorian patterns too, IIRC.

dubsartur

#16
The couple of German pattern drafting books which I flipped through in Austria were not very helpful, lots of measurements and examples but not principles which work outside a few decades of one tradition of fashion.

One day I would like to make a suit coat without the unforgivable terrible ergonomics of the sleeve cap.  If I can't give a lecture or duel with a longsword, my clothes are not formal.

That website does not work for me, it is greyed out with a giant cookie warning with no option to reject all.

Edit: some back and forth about the various Müller books from 1860 onwards https://fashion-incubator.com/vintage_pattern_book_summary/ Maybe I will see if I can borrow one.

dubsartur

You might like the pair Tailor's Tools and Tailors Illustrated.  Figuring how much of Gnagy's instructions comes from him and how much from his sources is a goal, the 16th/17th century Spanish books are hard to get on paper or in translation.  And I suspect that precision drafting based on right angles is a circa-19th-century thing but it works for beginners from my culture.

The Seamstress

The Müller & Sohn website seems to have some problems, unfortunately, yesterday it worked just fine for me, today all I get is a blank page. Ugh...

Thank you for the links, I'll have a look!

Sleeve caps and sleeve fitting are rather tricky for me, too. In bespoke dressmaking I was taught to always add a few centimetres to the sleeve cap on a mockup sleeve and then pin/fit it in while you/the person is wearing the dress/jacket/whatever, so the few centimetres extra allow you to let out some length at the top if needed and provide you with a bit of wiggle room to make it sit right. And once it does, you mark the seam line and transfer that to the final pattern piece.

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Here's what I mean by adding a few centimetres (random sleeve I grabbed from the internet), usually 3-4 at the top of the sleeve and tapering at the sides. Crappy MS Paint picture, but you get the idea.

Then again, this is geared towards modern aesthetics on how a sleeve should fit, it might be vastly different for historical dress. The 18th century for example has a quite different sleeve look in women's dress due to the undergarments: A pair of stays usually will make your torso cone-shaped and draw your shoulders back, all of which impacts the fit, obviously.

And yeah, that "mathematical" precision stuff is very much a 19th century thing, that's where you get a lot of books on the topic which claim to have invented a somewhat scientific method of pattern drafting. I think it's only natural that drafting methods follow the fashions of the time period they were written in, I'm not sure if there even is one method/sytem in book-format that would work universally.

I hope this makes any sense, my brain is a bit wobbly today, lol.

Jubal

The duke, the wanderer, the philosopher, the mariner, the warrior, the strategist, the storyteller, the wizard, the wayfarer...

The Seamstress


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