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Topics - Jubal

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151
Discussion and Debate - The Philosopher's Plaza / US Politics 2023
« on: January 03, 2023, 06:33:28 PM »
And here we go again: a new year, and one without a major election round in.

...which it turns out doesn't mean a lack of drama, as Kevin McCarthy is on track to be the first lead party candidate for Speaker of the House to fail to get elected on the first ballot since 1923. Seven Republicans have voted for Andy Biggs, an extreme Conservative candidate, and a few for Ohio representative and close Trump ally Jim Jordan: McCarthy could only afford to lose four, and it's possible the Democrat candidate (Hakeem Jefferies) will get more votes than he does. Jefferies still won't get to be speaker as the speaker has to be elected by a majority, not by plurality, but it's still a heck of an embarrassment.

152
The World of Kavis / End of Year celebrations in Kavis
« on: January 01, 2023, 05:48:57 PM »
End of Year celebrations in Kavis

Across Kavis’ northern regions, midwinter celebrations are a common feature of life. The need for people to gather amid the coldest parts of the year and find warmth and community is common across cultures, and a variety of feasts and events take place – though with very different emphases in different cultures.

Some regions are less bound to midwinter: Camahay is more equatorial and tend to track seasonal rains more than wider climatic shifts, whereas in the Oak Islands, Sterne, the southern ports of Alasia, Starshore, Corravan, Mav, Kesrata, and Tabnire, the equinoctial celebrations are more important.

In the Heirophancy – Watermasque
The Heirophancy may not have the dramatic blizzards of Cenica or the dwarf Republics, the cold rains of Serraty or the deep ground-frosts of Alasia, but parts of the state are nonetheless cloaked in white come winter and the continental climate can provide heavy cold in some years. The primary celebration is Watermasque, one of the few parts of Heirophantic religion that requires activity (if not full participation by any means) from the common folk as well as the Heirophants.

The winter tends to be more associated with Beyi, the cosmic force of slowness and permanence: so Watermasque is a chaotic festival of masked dances, singing, and feasting, intended to add activity and change into a season that seems to last forever.

In Cenica, Ruvia and the Republics – Cridalin/the Winter Bear/the Cloaked Bear
Across the northernmost and easternmost parts of the continent of Chardil, the winter cold in the mountains or on the craggy Cenican coasts is a major feature of annual life. The figure of the Winter Bear, known in Cenica as Cridalin Tuan, or at times as the Cloaked Bear, is the folkloric midwinter figure across all of these regions. The favour of the Winter Bear is supposed to be important for getting people through the winter, and the ritual preparations of meat and feasts are especially important in the celebrations around his passage through the winter world.

In Serraty – Jack O’ Deer
Midwinter in Serraty is a time of misrule, of overturning the established order and bringing change for the year ahead. The fenlands’ spirit for the season is Jack O’Deer, a tusked fey man-deer spirit whose revels. Jack-nights, as they are known, are a time for petty revenges, especially of poor folk against the wealthy: “’a mun be Jack’s doing” is treated as an entirely valid legal defence for vandalism in this period of the year.

In Alasia – Syeis’ Coalbiting
One of Alasia’s favourite winter stories is of how Chith, the coalbiter, revived Syeis, the maiden deity of spring and of warriors, by telling her stories at the fireside through the coldest months of winter. In imitation of this, storytelling and midwinter fires are core parts of feasting and celebrations across Alasia. Young men often go courting at this time to other villages, with storytelling becoming a way of auditioning to prospective brides: all are welcome at the fire, though outsiders should be sure to bring a story with them to get a warm welcome. Roast duck is a traditional part of the Coalbiting meal, and by the waterways across Alasia duck-netting becomes a traditional village activity in the month or so before the Coalbiting proper.

In some newer versions, more radical priests of Chith have reduced Syeis’s role in the tale to that of a human maiden or a more simple analogy for spring, but these ideas have not been taken up much outside the larger settlements and some of the monastic communities of central and northern Alasia, and might get a disgruntled reaction if expressed to most common folk.

In Tullactara – Godsfather Trees
The Palictarans tend to focus on midsummer more than midwinter as a focal point for celebrations, but in the northern Tullactaran mountains their cousins, especially the more dwarf-heavy cities among the Tuls, have a strong tradition of celebrating midwinter. Midsummer is seen as a time where people are closer to the sky, and midwinter closer to the earth: so in midwinter cut and polished tree-roots may be hung around homes, with the imagining of them being at the roots of a great tree the flowers of which will be smelled by the gods themselves. Gifts of winter fruit are given to children, with popular imaginings of hedgehogs and moles as the creatures that put them into boxes and carry them.

153
Similar to What Are You Reading but for reading non-fiction. What have you been reading? Would you recommend it or not?

154
Exilian Articles / A Juggler of Words: Making False Etymologies
« on: December 28, 2022, 12:01:47 AM »
A Juggler of Words: Making False Etymologies
By Jubal



Puns and plays on words are funny, but they tell us more than that about our relationship with words and ideas. People have been fascinated for many centuries with the problem of where words come from, and fun etymology facts, true or not, are a staple of social media clickbaits.

Finding these connections between words, whether true or not, can also be a source of inspiration. Ideas and concepts previously disconnected can click together and create ideas about a setting, story, or imagined past. Whether referring to things around the home, or links between animals and people, or relations between great powers, reimagining our relationships with words can be a route to reimagining how they connect together and how else we can imagine the things themselves. These new connections might generate ideas for creatures, settings, people, or simply alternative ideas for how things might have developed, imagining how processes might have acted differently to nonetheless create familiar results.

So what might some of these ideas look like? Whilst we always encourage true etymological nerdery, we can get a lot from coming up with alternative ideas as well. In that spirit and as examples or inspiration-joggers or simply for the sake of amusement, here are a set of entirely false etymological facts (we want to stress, none of these are true: please do not spread them as misinformation!) Maybe they’ll inspire – or at least amuse…




1. The name of "rum-butter tarts" derives from Islamic prohibitions on alcohol: some Ottoman-era Turks falsely claimed that Orthodox Christian traders spiked their butter with alcohol to corrupt people from the faith, hence "Rumi butter" or "Roman butter" after the Byzantine Greeks. A mid 19th century French chef created the modern dish for a Turkish-themed masquerade, using cointreau: rum itself started being used for the food in the 1910s.

2. The verb "to enter" comes from the German Ente, meaning a duck: German traders in the past often were told to "duck" when going into the houses of English merchants due to low lintels over the doorways in England. Asking for the translation of "duck" and finding it was "Ente" (the bird), the Germans assumed this was a quaint English saying whenever someone went into a house and the association of "ente" and going inside gradually made its way into English as well.

3. The term "wallflower" has actually reversed its meaning over time: originally it is a corruption from "whale-flower", that is, the blowout spouting of a whale, and meant someone who spouted or talked far too much. The term, popular in the 18th century, then started to be used in jest or sarcasm for people who were considered too quiet, until it eventually shifted its meaning entirely and people forgot the original maritime associations.

4. The manatee, originally the "man 'o tea" due to a gentle and calming demeanour associated with the imagination around sipping the drink in question, was one of a number of sea creatures named along this format by 18th century sailors, the Portugese Man 'O War jellyfish being the other example that has survived to the present.

5. A "socket" is an Anglo-French mixing, literally a "sock-ette" - too small to be a sock, but still there for fitting something snugly into. Sockettes that just fitted over the toes and toe-joints, leaving the ankles bare, were a fashion piece in the 1610s: the term was adopted by high-class doctors later in the century to find a way to explain the action of ball-and-socket joints to their wealthy clientele, and it stuck.

6. A number of old words for movement involve a thing used or imagined in the movement - among these is waddle, the motion done by people walking on wads of thick cloth strapped to their feet as a treatment for bunions. Paddle, to push oneself along with a pad, is also in this category - a lesser known one being to boatle, which only survives now in the phrase "to bottle it" - actually "to boatle it", i.e. to run away in a boat.

7. Microphone (pronounced "My-Cro-Fon-Ee") was a nymph in ancient Greek myth in variants of the myth of Echo and Narcissus, who was responsible in some version of the tale for reporting the sad fate of the two lovesick beings to the world due to being the only one who remembers everything that Echo says despite all her words being ignored by others as repetition. Johann Philipp Reis adopted her name for his early sound transmission equipment in the 1860s.

8. The word "bully" comes from Malay "bulan" - which means the moon. Mixes of Malay and then English sailors in southeast Asia started using the words to have a deniable discussion of supervisors who pushed them around on the sea - as the moon does with the tides, so any discussion of being "pushed around" that was overheard could easily be explained away as sensible nautical consideration.

9. A probable old word, now lost, is "aff", likely a verb meaning to get involved in things. From this root we "have an affair" where we aff with someone for their fair (beautiful) nature, and "affray", to aff with someone because relations have frayed, and we "affirm" things to firm up our affing with them. Being "affable" now just means pleasant, but this developed from it meaning to be most able to aff and get involved in matters concerning others.

10. A hamlet was originally a settlement so small that in medieval tax assessments it was only noted as having one pig or fewer between all the villagers - hence, just one ham.

11. Vibia, a member of the family of the same name which produced Romans such as the emperor Gaius Vibius Trebonianus Gallus and the author Vibius Sequester, was exiled from Rome in AD 53 on a charge of asking astrologers to foretell the emperor's death. Her cause became totemic for Roman astrology, and her name thus a by-word for trying to work things out through vague or unknowable methods - hence why we look for places with "good vibes" today.

12. One of the less successful endeavours of early seventeenth century explorer Robert Dudley was a natural history treatise in which he tried to classify animals by utility to mankind, and regularise their names and terminologies accordingly. The only two animals to which he gave the highest rank were the dog, for its faithfulness to man, and the butterfly, for its beauty: whilst science has moved on, his regularisation of "pup" or "pupa" for a young stage of either remains.

13. "Paradise" is of German origin, literally a "Parade aus Eis": this stemmed from early medieval Christian depictions of heaven and hell in which there were assumed to be continuities between them as opposite poles of the cosmology. Thus, since hell was assumed to be the hottest possible place so that sinners were burned, heaven was assumed to be the coldest place in creation, a cold made liveable by grace: to see God was to walk the Parade of Ice to heaven itself.

14. Using a carpet for flooring was originally something practiced in marsh and fenland villages of northern Europe, where old or broken fishing nets - literally, carp nets - would be piled on the floor to avoid some of the damp and risk of bare mud floors. Aristocrats from the fifteenth century onwards later referred to piling middle-eastern rugs in similar fashion as "carp-net" in reference, and the modern carpet was born.

15. In the north of England in the 19th century, tools were often loaned or lent to poorer workers, some of whom relied on these tool-loansmen to ply their trades. One part of this practice was that is the worker picked the same tool ten times running, the loansman would keep it reserved for them thereafter: liking a tool enough to give it its tenth use then became known as "tenth-use-ing", which is why we now "enthuse" about things we like.

16. Contrary to popular belief, "feeling down" doesn't refer to the direction, but to the soft feathers of baby birds. The phrase was originally "feeling downy", and implies that one is like a baby bird: limited in ability to interact with the world, and frowning all the time (a look that baby birds tend to have due to the "gape" skin structures on either side of the mouth that help the adults feed them).

17. To have "aspirations" comes from the asper, a medieval silver coin type especially used in the late Byzantine world of the eastern Mediterranean and Black Sea. Someone who wanted "to seek aspers" - that is, to go and find their fortune as a mercenary or trader in the wealth - was seen as implying a willingness to take high risks for potentially great rewards.

18. "Eyaaaa" used to be the standard English way to write a shout of pain or frustration. The modern, more familiar "Aaaagh", derives from British Imperial rule in India and "aag", the Hindi word for fire: it became widely known and popularised after a number of colonial administrators died due to failing to realise that locals were telling them about a fire that had started, which led subsequently to an increased awareness of the term among the colonisers.

19. One North African legend about the hoopoe, upupa epops, was that if you could get it to sit within a circle it would tell you who you were going to marry. People and especially young women thus brought loop-shaped perches to entice the birds and these "hoopoe rings" or "hoops" became a general term for larger ring-shaped loops of metal: the term was carried back to Europe both through trade and through an early 18th century Italian fashion trend for "hoop" earrings.

20. The gazebo tent, with openings on all sides, was originally set up as a way to allow ladies at some more risque and fashionable sixteenth century jousts to get a better view of the knights as they headed out to the lists, rather than just seeing them from the front whilst they fought - hence, a gaze-your-beau tent, and the modern gazebo was born.




Why not come up with your own ideas along these lines? Do comment good ones below, we’d love to see what you come up with. We hope these in some way amused you or poked some thoughts into being that might not have been there otherwise. Happy wordplaying!

155
This is an absolutely wild one: an academic found a book that seemed to have plagiarised his blog, and um it now turns out that possibly the entire research body that produced it may not have existed?

Three blogposts here giving an idea of how bizarre this all is:
Pt 1, the original plagiarism allegations:
https://mssprovenance.blogspot.com/2022/12/nobody-cares-about-your-blog.html

Pt 2, the nonexistent staff:
https://mssprovenance.blogspot.com/2022/12/the-receptio-rossi-affair-part-i-staff.html

Pt 3, the nonexistent offices...
https://mssprovenance.blogspot.com/2022/12/the-receptio-rossi-affair-part-ii.html

156
General Chatter - The Boozer / Happy Solstice
« on: December 21, 2022, 11:45:51 PM »
For the sun has shed the last of its petals: and it will bloom again, with the turning of the world.

From one year's sun to the next, I hope you've all had a happy solstice, and that the next year brings brighter times for us all. :)




157
Announcements! The Town Crier! / 2022-23 Creative Competition: SNOWSTORM
« on: December 14, 2022, 10:22:17 AM »
Creative Competition: Snowstorm
 

Winter Storm Austin by David Kitto, CC-0 Usage Rights, via Wikimedia Commons.

It's time for another of our winter creative competitions! In the last few years our Winter Sunset and Aurora competitions have looked at light in the depth of winter cold, but this year we have a faster moving theme: SNOWSTORM. Out there as the year turns, the sky is twisting in the wind and the clouds are heavy with ice: in blizzards and snowstorms we tackle the fickle and dangerous parts of winter's chill, and the times when we can see least light ahead of us - but also the potential for hope and survival, so important when one cannot find the way forward. As usual, any creative response to the theme word is very welcome indeed, and we're really looking forward to seeing what you come up with!



The rules are as follows:
1. Produce your entry. It can be a game,artwork, story, poem, recipe,  rules supplement, sculpture, dance piece, music, whatever - any sort of creative response to the theme.
2. PM your entry (or a link thereto) to Jubal, or send it by email to exilian@exilian.co.uk, and post in this thread to say you've put your entry in. Entries that don't have both the post and PM in will not be considered, and you must not post your entry publicly during the contest (so as to ensure judging is name-blind).
3. Each person is allowed up to two entries.
4. Entries must be in by 23:59 GMT, February 5, 2023. (Extended from original Jan 31 deadline)
5. The judges will score each work out of ten on two grounds: how good a response to the prompt it was, and how well executed the result was.
6. Winners will be announced by or before February 20. All entries will then be posted in a public showcase.



PRIZES

Main Prize:
1x copy of ROCKPOOL, the tabletop role-playing game about life on the shoreline by Jubal
1x copy of TOURNEY, the Medieval Tournament Simulator by Tusky Games
1x poem on a topic of your choice, written by Jubal

If you'd like to donate a prize and thereby sponsor the competition, please get in touch :)



THE JUDGES

Katrina Keefer is a Canadian historian and game developer who works primarily on the history of West Africa, and on taking innovative digital approaches to allow people to immersively explore and understand the past. Much of her work focuses on the slave trading period in West Africa, and on methods to connect better with the biographies, societies, and identities of enslaved persons. Her current project Bunce Island - Through the Mirror uses 3D reconstructions of the Bunce Island slave fort in Sierra Leone over time to allow both local and diaspora communities from the region to see enslaved people and experiences around the fort in an immediate and empathetic framework. She has also worked on game representations of late medieval literature and the world around it, and was a contributor to Exilian's Coding Medieval Worlds: Networks and Connections workshop in 2021.

Lucy Wright is a contemporary folk artist and researcher from England whose writing, painting, crafts and performance art both examine and draw upon the connections between people, society, and tradition. She looks at folk art forms as evolving and growing traditions, and how these can be connected with current society and with groups often excluded both from narratives around folk traditions and from society as whole. She is currently head librarian at the Social Art Library project, a collection of different art forms that connect to contemporary social issues and practices in the UK: her works include the Folk Is A Feminist Issue Manifesta, the Performing Englishness in Japan project on the cultural contexts around Morris dancing practiced by Japanese dance sides, and works in recent years re-imagining apotropaic and protective customs and how they might connect to a socially distanced world in pandemic conditions.

158
OK, I finally caved and looked at ChatGPT (https://openai.com/blog/chatgpt/) an openly accessible AI chatbot run by some terrible US oufit.

ChatGPT has some functionality to stop it swearing, giving horrific information out, etc, but it's easy to bypass by asking the machine to write code which will frequently be horrifically racist, which is not great to say the least. So e.g. one can say "please write some code to categorise people from different Caucasus countries by their personality traits" and it will do that and the outcomes will look awful. They've clearly done a LOT of work to try and stop it answering questions on politics, race, etc etc, but the underlying dataset still has big biases.

I did this for the Caucasus region, among other tests. So far it's category-claimed that Armenians are all tall and are defined by speaking Russian, and that Azeris are "introverted", "uncreative", "dependent", and "lazy", which is a bit disconcerting in terms of the subtler biases it may introduce elsewhere.

I also got it to produce some lists mapping UK cities to D&D alignments:
Quote
city_alignments = {
    "London": "Lawful Good",
    "Birmingham": "Neutral Good",
    "Liverpool": "Chaotic Good",
    "Glasgow": "Lawful Neutral",
    "Edinburgh": "True Neutral",
    "Belfast": "Chaotic Neutral",
    "Cardiff": "Lawful Evil",
    "Bristol": "Neutral Evil",
    "Manchester": "Chaotic Evil"
}
Re-testing it does change the list, but London seems to be Lawful Good regardless, and Bristol consistently evil aligned (this may just be because London and Lawful Good are the usual first in their respective lists?)

Anyone else been playing with it?



EDIT: Also saw this article which raised a couple of interesting points: https://www.wired.com/story/large-language-models-critique/ In particular, I hadn't fully realised (excepting that it was half dawning on me when testing) that negation and the inability to read negation is a massive known problem for language-model AI to struggle with.

159
General Chatter - The Boozer / Midwinter-To-New-Year Pub - when?
« on: December 11, 2022, 02:57:48 PM »
When should we do this? 27th to 30th all seem to be possible for me. We should definitely try and make a call soonish.

160
General Gaming - The Arcade / Hades II Announced
« on: December 10, 2022, 05:05:04 PM »

I am very excited for this: Hades was such a masterpiece of game craftsmanship that even if Hades II doesn't quite hit the mark it'll still be enjoyable.

The protagonist this time is apparently Melinoë, and it looks like Hecate is going to play a major role from the trailer. (These games make me wish I knew more about obscure Greek mythos lore, which is another thing I count in their favour).

161
I did a guest post on A Collection of Unmitigated Pedantry! It's a sort of brief introduction to Digital Humanities and Prosopography and the Medieval Caucasus all in one go and I don't know if that worked but I gave it my best shot. Thoughts very welcome :)

https://acoup.blog/2022/12/09/meet-a-historian-james-baillie-on-digital-humanities-and-the-medieval-caucasus/

162
Creative and Project Hub - The River Docks / Portfolios etc
« on: December 08, 2022, 10:37:03 PM »
I've been wondering whether I should make some sort of central portfolio website. Like half of it would end up being links to Exilian threads, but it has occurred to me that really there's nowhere where I drag together lists of all my talks, videos, songs, publications, articles, etc, and maybe I should do given the amount of content I produce? I don't know if anyone would actually find such a thing useful though.

What do other folks think/what would you use for such a thing?

163
The World of Kavis / Table Societies in the Heirophancy
« on: December 04, 2022, 09:48:07 PM »
The so-called 'table societies' - literally, of those who share food - are a crucial feature of the old Heirophancy and an important albeit hidden part of its private and public life, especially in the cities and the upper echelons of society. These are initiatory organisations, none of which officially exist, though some are more genuine secrets and others more open ones: they are joinable both by Syarami Heirophants and non-Heirophants alike, and create networks of sworn friendships and mutual aid which can cross social, faith, and gender divisions. These bonds are generally taken very seriously by members, and depending on the society's intiations and oaths can produce significant sets of obligations (some scandals in the cities may involve members of a table society helping guilty parties out of moral or legal troubles, for example).

Societies are usually known by the names of fruits or flowers, which can often be important parts of identifying fellow members. The Leaves of the Olive are the famous exemplar of a Society and the one usually attributed to folk heroes in popular songs, though precisely because of this notoriety, the Leaves may no longer actually exist or may have been re-founded in mimicry and have several disconnected networks or lodges laying claim to the name. Less well known but still in the open secrets category include the existence - but never the membership - of the Asphodel and the Grass-Knot, both based around the capital and sometimes speculated (truthfully or not) to be involved in everything from games riots to politics to trade.

Table societies have no formal structure or leadership beyond their oaths, and as such rarely act as a true collective - though rarely does not mean never, and table societies in the largest cities especially may turn into a mixture of political clique and information-gathering network if an especially active member is capable of using their influence in the society to turn the at times considerable human resources involved to their benefit.

164
This is a rather delightful idea: a clock that tells the time by giving a relevant book quote including the current time from a set of books. I'm unfortunately not sure what the data-set input is, but it seems to be fairly wide, and this might be an interesting inspiration/literature discovery tool.

https://literature-clock.jenevoldsen.com/

It was created by Johannes Enevoldsen (@JohsEnevoldsen@med-mastodon.com), based on work by Jaap Meijers.


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